Tag Archives: SpeedPoets

Betsy Turcot live at SpeedPoets this Saturday

The end of the month is closing in, which means SpeedPoets is ready to light up The Hideaway (188 Brunswick St, Fortitude Valley) this Saturday, May 25 with the launch of B.R. Dionysius’s seventh collection, Bowra, the guitar roar of Sheish Money, three rounds of  Open Mic and the sublime spoken stylings of Betsy Turcot.

Fresh from a series of sell-out ‘Chosen Family’ shows at the Anywhere Theatre Festival with Eleanor Jackson, Betsy is bringing her solo show to the SpeedPoets stage. For anyone who has seen her weave her tapestry of words on stage, I am sure you will be knocking the door down to get in, and if you have not yet had the pleasure, then you are in for a treat!

Remember, doors open at 1:30pm and sign on for Open Mic is open from 1:30pm – 2pm.

Entry is a gold coin donation, but the more you give the easier it is to keep this event running.

It’s been 13 years… and there’s no sign of slowing down!

Here’s a poem from Betsy to send keep you satiated til Saturday.

See you then,

*****

Campfire

The purple sky breathes shooting stars,
makes good excuses for holding hands
as she slowly inches her fingertips over my knuckles.

Her eyes, focused on the fire, hide my blush.

I wear the thickness of mystery
veiled in a middle name she doesn’t know.

But she wants to know my hands.
I can feel the tremble in her touch.
I pause, my lips mid-sip.

Bubbles rest on my tongue.
You can’t always trust what you feel.
You can’t always feel what you touch.

But I’ll let her take a chisel to my marbled skin.
Let her carve her kisses into my cuts.

© Betsy Turcot

*****

Betsy TurcotBetsy Turcot has featured at Queensland Poetry, Melbourne Overload, Brisbane Emerging Arts, Anywhere Theatre and Woodford Folk festivals. She is a guest MC, curator and feature at Brisbane’s spoken word poetry event, Words or Whatever, and has contributed to the Melbourne Poetry Map.

Betsy was co-author of the poetic play, She Stole My Every Rock and Roll with fellow poet, Eleanor Jackson and has been a member of The Broken Records Collective with Doubting Thomas and Darkwing Dubs. She is the author of the chapbook Blister and is currently writing a poetic play, Chosen Family, for the Anywhere Theatre Festival with The Belles of Hell.

 

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SpeedPoets Launches Bowra by B.R. Dionysius

SpeedPoets lights up The Hideaway (188 Brunswick St) and the month of May with its third book launch for the year, Bowra by B.R. Dionysius and well as some red hot spoken word from Betsy Turcot.

And let’s not forget the red hot Open Mic Section. All readers  are automatically in the running to be named Call-Back-Poet for the month. What does this mean?

Each of the Call-Back-Poets will earn themselves a feature spot at the November event where they will have the opportunity to take home cash prizes, be crowned SpeedPoets Open Mic Champion, and thanks to Phillip Ellis, have a chapbook length zine of their work published ready to launch at the February 2014 event. A great prize indeed!

Sound like the perfect way to finish the month of May? We’d love to see you there!

Date: Saturday May 25
Venue: The Hideaway, 188 Brunswick St, Fortitude Valley
Time: Doors at 1:30pm for a 2pm Open Mic Start
Entry: Gold Coin Donation

Here’s a poem from B.R. Dionysius to help you through the week!

Café Bohemia

(i)

Winter; & he stole away from his Highgate Hill flat
Every Wednesday night with a vague return time &
A cheap bottle of tawny port cupped under his armpit
Like a bully’s captured head. His long green trench
Coat gave his mahogany boots a shine as he swished
Along the length of Dornoch Terrace; past the royal
Queenslander on his left, that three years from now
Would be rented by his friends, but for the present,
Was inhabited by band members from Powderfinger.
Where three years later, they’d all gather to celebrate
The marital fallout of his mission to Café Bohemia.
His ears burnt like a deposed General’s epaulettes
As he marched on like a man possessed, her call
To him more powerful than any ancient siren.

(ii)

He wanted to arrive first. To secure a coveted table
Within the tight margins of the coffee shop, for her
& her two friends; to demonstrate his thoughtfulness.
Otherwise, it was standing room only as street poets
& hipsters channelling Kerouac & his wine dark prose
Filled up the dining space like blue cigarette smoke.
He greeted fellow writers with a wave & a nod, as he
Was lousy at small talk & good at reading big poems.
They were the Bohemian poets of Hardgrave Road.
90s poets like black bearded Francis & his perennial
Leather coat that he never ever took off, until twenty
Years of listening to poetry; to the millions of words
Crooned about death, love & loss, had polished his
Mind’s animal hide, until his face shone like a god.

(iii)

She entered the café wearing her friend’s teal velvet
Coat; auburn hair gleamed like a burnished table top.
Candle stumps burnt down their short lives in front
Of them; they spread their wax wings down the wine
Bottle’s stem, then dried their delicate delta shapes in
The port breath of poets as the reading warmed up.
They read poems about West End & Daniel Yock.
About Murri protests in Charlotte Street, landlords &
Gentrification & how all the boarding houses were lost.
How the family house where that Go Betweens singer
Grew up, had been pulled down for the Greek Club.
How the police raided Musgrave Park & how Tracey
Wigginton lapped up blood like a mangrove sucks mud.
By the time it was his turn; his tawny was half drunk.

(iv)

At the interval Henk, the bespeckled Dutch organiser
Whose most memorable line was about how he often
Awoke to find his cock still rigid inside his girlfriend;
Would disappear into the kitchen with an assortment of
Followers, where Mira’s goulash threatened to burn itself,
Tasty, but mad in its pot. Here, in the wooden floorboards
There lived a small trapdoor, which led from the galley to
A secret lower deck: the café’s oubliette. Here, poets fuelled
Up on gunja, the smoke siphoned away by an invisible vent.
Some though, still wafted through the café’s warped cracks;
Like a sailor’s last breath as they drown in an Eliot poem.
Others snuck round the back, where they lawn-sprawled
Like they’d been in a shipwreck. Here, they met in piratical
Bliss; until her friends drove her off, so he sculled his port.

(v)

She thought he was silent, a bit mysterious; a poet from
The country who tried to loom over her like Ted Hughes.
The regulars didn’t disappoint. Brentley, whose themes
Were a shade darker than the dirtiest black hole; his muse
Went to star on TV as a masterchef. Or Adam, the epitome
Of beat; who published for a decade, then like Rimbaud
Gave it all up to run guns metaphorically. Or Lidija & her
Serbian mystique, who trailed lovers around her neck like
Threads in a shawl. Or Rebecca, the poet of bones & mishap,
Who shaved her head so everyone could see her new world.
Or Fakie, who read from industrial-sized post-paks he stole
From the factory where he worked. Or the Great Jeffro,
Whose mad blue eyes blazed forth Shakespeare’s wild surmise;
If poetry is the soul of cafes: then coffee is its blood.

*****

B Dion 2

B. R. Dionysius was founding Director of the Queensland Poetry Festival. His poetry has been widely published in literary journals, anthologies, newspapers and online. His seventh poetry collection, Bowra was released in April 2013. He lives in Ipswich, Queensland where he watches birds, teaches English and writes sonnets.

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SpeedPoets April 2013 Call-Back-Poet: Simon Kindt

New voices are what fuels the SpeedPoets engine, so it was a real pleasure to award the April Call-Back spot to Simon Kindt on his first visit to SpeedPoets. Here’s the poem that sent a shiver through the room… am looking forward to hearing more from Simon throughout the year.

Simon Kindt

After Dorothy Porter’s View From 417

I am making a habit
of all this walking into
then out
of my chest.

Making my rib cage
a revolving door
of starts
and stops.

Hiding a jack-knife
behind my teeth

And lungs pumping
a pair
of blustered bellows.

Washing sparks into a throat,
birthing them grey,
soft and rolling

into the blue.

And you did it right to the end,
or at least in my head
you did,
down to the last
‘can’t believe my luck’

dot… when my 417 finds me,

dot… I will find its spine… and break us out.

Dot, when I go,
I want to go down singing,
breathing out
beneath
a wisping sky,

having loved the world,
having drunk it dry.

When I go,
let me greet the end
with a jack-knife tongue,
a throat raw and smoking
like a shotgun.

In a blast of sparks
into a wisping
sky.

Let me walk out of my chest
ready and lucky,
wearing a ready
‘what’s
next’
grin.

*****

About Simon:

I suppose I’m another one of those poorly ironed white collars that got halfway up the career ladder and realised it had left something behind. For me, that ‘left behind’ was writing which I returned to at the end of 2012 after a long time focused on other things.

I have been published precisely nowhere (except my own blog), performed only in small rooms, the sum total of my awards list is two jars of jam (and now a Speedpoets call-back) and yet I have felt so welcomed by the warmth, the energy and the lunacy of the Brisbane spoken word community that… well… what more could a fella want?

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Photos from April SpeedPoets

Saturday’s gig was a blast!

Kate Jacobsen made the room smile with her honeyed vocals and country hooks; Thomas Day blew things up with a live installation that unpicked the seams of sexuality and war; and the 26 open mic readers whispered, roared and enchanted. Call-Back-Poet for the month was SpeedPoets first-timer, Simon Kindt, with a poem for Dorothy Porter that sent a shiver through the entire room.

I will be posting a feature on Simon later in the week, but for now, here’s a few pics from the day, thanks to the lovely Chloe Callistemon.

Kate Jacobsen live at SpeedPoets

Kate Jacobsen live at SpeedPoets

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Thomas Day drops the machinery

Thomas Day drops the machinery

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What's left of the map

What’s left of the map

*

The audience transfixed

The audience transfixed

 

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SpeedPoets Saturday April 27, 2013

This month, SpeedPoets is a swirl of sound! We are excited to be featuring local songstress, Kate Jacobson and poet, film maker and sound artist, Thomas Day.

Kate Jacobson

Kate Jacobson is one half of popular Brisbane indie-country/folk duo, Texas Tea. She is revered as one of Queensland’s up-and-coming song writing talents and her solo show has been described as enchanting, evocative and unique, incorporating voice, guitar and foot percussion.

25 percent thomas day

Thomas Day utilises words, sound and drone, collage, film and photography with live performances often combining these elements to create immersive interdisciplinary works. He won the 2011 Nimbin Performance Poetry World Cup with a satirical work deconstructing the nature of charity under Capitalism; and once lost a Slam for failing to vomit up a poem he had just swallowed.

And of course, there will be the red hot Open Mic Section with all readers in the running to be named Call-Back-Poet for the month and earn themselves a feature spot at the final gig of the year in November and the opportunity to win cash prizes and be named SpeedPoets Open Mic Champion. And as always Sheish Money will also be out front of Moveable Feast, playing with that blues swagger that drives the SpeedPoets’ engine.

Sound like the perfect way to close out your April? See you there…

Date: Saturday April 27
Venue: The Hideaway, 188 Brunswick St, Fortitude Valley
Time: Doors at 1:30pm for a 2pm Open Mic Start
Entry: Gold Coin Donation

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SpeedPoets March 2013 Call-Back-Poet: Chloe Callistemon

The Easter gig had The Hideaway swinging with two book launches (thank you Vanessa and Nigel, your books are still singing to me) a sizzling set from Moveable Feast and three knock-out rounds of Open Mic. I was glad that I wasn’t asked to name the Call-Back-Poet for the month, but was excited when Chloe Callistemon, one of last year’s runners-up, was announced at the end of the day.

Here’s a new poem from Chloe to celebrate!

*****

North West

Perched high on the road, I
rumble through the desert.

The world is dusted
the colour of apricots.

A cow lies, legs in the air —
gas-fat, skin dried, drum-tight.

Once-orange work vests
flash sunburnt white.

In the silence post-4WD,
lizards rattle pebbles.

Sun soaks my camp, stains
a pool of sky.

Stars brand the night, hiss
through sweated dreams.

Dingo howls circle, noose
sound and reason.

Today’s sun rises through rotors,
beams slicing ridge tops.

Mudflat dragon-tails snake
away from twisting rivers.

Climb sandstone to reach
blood-red paintings.

Scratched and tanned. These rocks
feel like home.

*****

CC

Chloë Callistemon is a Brisbane photographer and arts eclectivist. She has been a Jack Stamm Haiku Award finalist, performed as a bird as part of a.rawlings’s GIBBER, and has a work in an international anthology trying to save rhinos, amongst other things. Has pen and camera, will travel.

*****

Chloe will join February Call-Back-Poet, Trish Reid as a feature at the November gig and is now in the running to win $200 in cash prizes and the title, SpeedPoets Open Mic Champion 2013.

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SpeedPoets fills your Easter long weekend with words

That’s right, the mighty SpeedPoets will be rolling into your Easter weekend to fill your mind-basket with words. To celebrate, we will be launching not one, but two debut collections on the day. First up, Vanessa Page will launch her stunning collection Confessional Box and then Nigel Ellis (aka Bruce Dorlova) will release into the world, Haematograms. When asked to write quotes about each collection, this is what I had to say:

Confessional Box maps the undulating landscapes of home, love and letting go. Page’s poems are sensuous, compassionate and filled with quiet wisdom; they are a celebration of the world’s infinite gifts.”

haematograms reaches into the tight corners of the mind to seize instants of clarity. Ellis is unique in his knowing, sharpest when catching things that he knows won’t last. This is an impressive debut, one where the charm of the ordinary and the mysterious collide; where the reader is transported into the poet’s other-world to walk the edge of his imagining.”

And of course, there will be the red hot Open Mic Section with all readers in the running to be named Call-Back-Poet for the month and earn themselves a feature spot at the final gig for the year in November and the opportunity to win cash prizes and be named SpeedPoets Open Mic Champion.  Sheish will also be out front of Moveable Feast, playing with that blues swagger that drives the SpeedPoets’ engine. For those of you who missed them last month, here’s a clip from the February gig, complete with me getting over excited and jumping up on stage to read a poem.

So be sure to lock Saturday March 30 in… SpeedPoets wants you!

SpeedPoets March 2013

Date: Saturday March 30
Venue: The Hideaway, 188 Brunswick St, Fortitude Valley
Time: Doors at 1:30pm for a 2pm Open Mic Start
Entry: Gold Coin Donation

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SpeedPoets February 2013 Call-Back-Poet: Trish Reid

The first gig of the year was a special one, with swaggering performances by house band, Moveable Feast and feature poet, Andrew Phillips. As always, the Open Mic section, was studded with poetic gems, making the job extra hard for Andrew and Sheish to call back just one poet. But, the job was done (and done well), and as Andrew said, the February Call-Back-Poet’s words held him tight in his seat. That poet, was Trish Reid.

Trish Reid - CLK

[Photograph by Cindy Keong]

Here’s one of the poems Trish read on the day:

on her 70th wedding anniversary

she remembers the waist of the wedding dress
eighteen inches she said and the row
of tiny self-covered buttons
brailing her back
needing to be buttoned up
and unbuttoned

her father had clambered
hand over hand onto the lower
plank of the middle class
buttons her climbing dreams

she remembers feeling anxious in the week before
the dress would no longer fit
her conflicted aunt tried to fatten her up

as her uncle kept taking to drink in the front room and
her aunt sharpened her tongue on the front steps
she held her breath

today she visits his grave fingering the words
weather and years will wear to
blank stone

is she remembering his fingers         blindly
unbuttoning her then?

*****

About Trish:

I never understood the point of living in a city until I found SpeedPoets and the poetry community. The last year or so has been a time of accelerated and very pleasurable learning for me.

*****

And just to confirm, SpeedPoets will be serving up a healthy hit of words this coming Easter weekend, so lock in Saturday March 30, 1:30pm – 5pm at The Hideaway. We couldn’t think of any better place for you to be!

More details soon…

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SpeedPoets February 2013 Feature: Moveable Feast (feat. Sheish Money)

Kicking SpeedPoets off in a new venue – The Hideaway – has got my heart beating a little quicker as I count down to the big day… Saturday Feb 23. When I was considering who to ask to feature at the event, the first name that entered my head was Sheish Money… after all, he has been a main cog in the engine room for the last 12 years. So we caught up recently and had a chat about SpeedPoets past, present and future…

Moveable Feast

You have been a vital part of the SpeedPoets community for the best part of 12 years. How have you seen the event change through the years?

Not that much really. I mean it is different every month and always has been. There is of course a familiarity with the event after so long but for me personally every month yields something and I never know exactly what might go down. I think The Hideaway being a more music oriented venue will be great for more having more musical features and because poets tend to raise their performances with better stage and PA.

Are there any moments in that continue to stand out?

The great features. I’m really looking forward to seeing who you feature this year. I have always enjoyed watching the progression of poets as they improve their craft. Someone who gets a spark from what happens down at SP and keeps getting better. Like Andrew Phillips, who saw you and me at the ekka and has been banging out great poems ever since.

And what keeps you excited about the event?

It is one of the easiest things I can do to keep myself inspired. I like to come up with something new every month. I get to play with a lot of amazing poets and I couldn’t say what makes it all work….or not. Like when you and I play, we don’t really think about it too much, but we do listen to each other and give the piece room to become something more than just music behind words. So I guess it is that mystery and wonder that keeps me inspired.

I know many people have pondered over the years how you just ‘seem to know what to play’ when a poet takes to the mic. So, are you ready to give up your secret?

Well it’s not so hard. It is all body language I watch as the poet approaches the mic and see what their bodies say they are about to do. If they are shambling onto stage head low then slow and low is the go. If they come striding purposely with fire blazing in their eyes then I can ramp it up. Of course a million different pieces of music will fit a poem. Sometimes happy poems work well with sad music and visa versa. I was reading about some experiments that where conducted about the way that when musicians play together there brain wave rhythms start to sync up. I think that when it is really cooking with a poet there is that type of syncing. I try not to be to conscious about what I am doing. And like Steve Kilbey & GW Mclennan…  I trust in providence.

How has collaborating with poets shaped your sound?

That is a difficult question to try and answer in specifics. Listening to poets of all types and levels of proficiency gives me a lot to turn around in my mind. Because of SP I have been exposed to some of the best performing poets around. I get to see poets like Santo Cazatti and hear what he does with rhythm… or Matt Hetherington’s calmness and the space he gives the words… The way Rob Morris turns a phrase and summons ghosts from the past without devolving into sentimentality and still staying totally in the present… or your brevity wit and humour… or Sam Hunt channelling words through his finger tips… or Ian McBride in full swing… all these things have a profound effect on me as a musician and a writer. Watching and working with poets like yourself or Julie or Scotty Dubs or Robert Morris or … the list is too big, gives me new challenges and has taught me a lot about how to put better poetry into my songs.  And then there is all the poets, all the SP regulars who I have seen go from strength to strength. Then the fact that I get to play every month, do songs, jam with poets gives me plenty to process and work on. I have always loved improvising and trying to make music for the moment that I am in, plus I haven’t got a great memory.

What are you most looking forward to about kicking the year off with your band, Moveable Feast?

Well SP will be the first gig as a three piece. There has been a lot of life going on lately which both takes away and adds to the music but we are getting to play more lately The three piece line up exposes everything a bit more so I we are spending more time getting the melodies and the words a bit sharper and trying out little signatures and stuff. That said the moto of first time every time still applies.

Listen to a track by Moveable Feast

*****

SpeedPoets first gig for 2013
Date: Saturday February 23
Venue: The Hideaway, 188 Brunswick St, Fortitude Valley
Time: Doors at 1:30pm for a 2pm Open Mic Start
Entry: Gold Coin Donation

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SpeedPoets February 2013 Feature: Vanessa Page

I can’t tell you how excited I am to be bringing SpeedPoets to The Hideaway for its 13th year. It’s venues like this that make Brisbane the amazing city it is! Just in case you have forgotten, details of the first gig are:

Date: Saturday February 23
Venue: The Hideaway, 188 Brunswick St, Fortitude Valley
Time: Doors at 1:30pm for a 2pm Open Mic Start
Entry: Gold Coin Donation

And to add to the excitement, SpeedPoets will launch Vanessa Page’s debut full length collection, Confessional Box. Vanessa has been a regular at SpeedPoets for many years now, so I had a chat with her to see how she was feeling about the launch and her memories of SpeedPoets.

*****

You’ve been a regular ‘Open Mic’er’ at SpeedPoets for many years now Vanessa. What is your first memory of coming along to a gig?

My first memory of SpeedPoets was during its Inspire Gallery period at West End . I came along, mostly just to listen because I’d never performed a poem before in my life! It was really my first foray into the poetry scene here in Brisbane , even though I’d been writing for a bit and trying my hand at a few competitions around the place. On that day, it was my then 8 year old son who signed on to read a poem he had written called ‘Nature’. With some gentle encouragement from Graham and my son Harvey I signed on to read as well. I’ve regularly attended SpeedPoets since then and it is a real highlight of the month to be able to gather with other Brisbane poets and share words together. I’ve made some terrific friends along the way and it really has become a ‘must-do‘ on the calendar each month for me. I’m pleased to say that very first poem I read at SpeedPoets – ‘Postcard’ features in Confessional Box and I will be making sure it is on the list to read at the launch!

Has reading in the Open Mic and listening to other poets each month helped shape your work?

Reading in the Open Mic has helped teach me the importance of reading my work aloud – even if it is only to myself. It helps with achieving great cadence with your writing. The other great thing is that you can gauge audience reaction when you perform – and when you know your poem has hit the mark or resonated with someone it is a wonderful thing. I always love listening to my contemporaries read – it is always inspiring and I love how each session there is always at least one poem or one line or one moment that really works for me and that I take away home with me. Listening to others is also a great way to look at things differently, try different styles and just broaden the horizons a little. So in terms of my own work, I think constant immersion in poetry whether by listening, reading or performing is an ongoing process that helps me shape my work.

con-box

You are about to launch your debut full length collection, Confessional Box. How are you feeling about it all now that it’s printed and ready to go?

I am feeling good about the book because it is the culmination of a few years’ worth of collected poems. It is nice to see them all in printed form…the process is like ‘putting those poems to bed’, turning out the lights and starting with a fresh page again. I think that is the most satisfying thing. Those poems are done and complete and I can walk away from them happy that they have found a permanent home. I have to say that moment when you hold your book for the first time is pretty special. It is a real thing of beauty and I was lucky enough to collaborate with my talented friends – artist Maryanne Oliver and designer Jessica Fazakarley on the cover art. I just hope the poems in the book bring others as much happiness as they bring me when I read them.

Getting a publishing contract for a debut collection is a wonderful opportunity. How did this all happen for you?

The poems in the book are drawn from my entry manuscripts for the Arts Queensland Thomas Shapcott Poetry Prize. I entered this competition in 2011 and 2012 and was named as a runner up in this prestigious award both years. At last year’s Queensland Poetry Festival I got talking to Ralph Wessman from Tasmania ’s Walleah Press and he expressed interest in publishing my two shortlisted manuscripts. So really it has become a ‘best of’ those two manuscripts. I realise that I am extremely fortunate to be offered a publishing contract ‘out of the blue’ like that and I hope that it is a reflection of the hard work invested in the collection. It certainly helped balance the disappointment of being ‘bridesmaid’ two years in a row for the Shapcott Prize! Working with Walleah Press has been extremely enjoyable, and the books are really lovely.

What are you most looking forward to about the SpeedPoets launch?

I am most looking forward to sharing some poems from the book with my friends from the Brisbane poetry scene. It is nice to launch it at the new home of SpeedPoets and quite fitting seeing as my first foray into performance poetry was several years ago at SpeedPoets. SpeedPoets is almost like a ‘family’ so I am very much looking forward to it.

VPAbout Vanessa:

Vanessa Page is a Brisbane-based poet who hails from Toowoomba in Queensland . Her first manuscript, Memory Bone was shortlisted for the 2010 Press Press Prize and in 2011 and 2012 she was named runner-up in the Arts Queensland Thomas Shapcott Prize for an unpublished manuscript. In April 2012 she launched her first micro-collection of poetry Feeding Paper Tigers through Another Lost Shark Press as part of the Brisbane New Voices series. Confessional Box is her first full-length collection of poetry.

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