Category Archives: Gigs

September Call Back Poet: Cameron Logan

With less than a week to go until the October event, it is with great excitement that I post the feature on the September Call Back Poet, Cameron Logan. Cameron’s impassioned reading of his poem IPSWICH, had the crowd hollering  and grabbed the attention of everyone in the room!

If you want to join Jo Brooks, Carmen Leigh Keates, Marisa Allen, Michael Cohen, Andrew Phillips, Chloe Callistemon & Cameron, don’t miss the gig this Sunday (October 7 @ Brew, 2:30pm – 5pm) as the final Call Back Poet for the year will be named. So bring your finest to the mic and let the words make the air swirl. Sign for the open mic starts at 2pm!

Now, over to Cameron:

IPSWICH
Pearl of cities! Depending of course on the value of the pearl in question, whether the value of the pearl is greater than or equal to the value of Brisbane!
IPSWICH
Oldest city in Queensland! Old that is from a human perspective but taken in the grand scheme of the universe and everything in it is barely greater than a speck of dust in the desert!
IPSWICH
King of railway! That is assuming that railways have kings! Dynasties! Royal families! Courtly protocol! The Feudal System! That is assuming that freight trains are the proletariet and passenger trains are the bourgeoisie! Perhaps the trains are all actually Republicans!
IPSWICH
Home of an excellent art gallery that is both artistic and excellent and possibly a number of other adjectives also though one must not be too specific when it comes to art!
IPSWICH
Home of a thriving cafe culture! Though that’s not to say that cafes have their own languages, customs and migration patterns!
IPSWICH
Home to many great bush poets and also a few bad ones!
IPSWICH
Home of the free, and home of the brave, and also home to those who are both, and also home to those who are neither, and also home to those who believe that freedom and bravery are subjective variables, and also home to whoever it was who stole my car tires twice!
IPSWICH
Where the pubs are heritage listed, to ensure that future generations can get drunk and say they are contributing on a cultural level!
IPSWICH
Home of a shopping mall that everyone pretends to hate even though they really don’t ’cause it’s trendy to complain about urban sprawl!
IPSWICH

I like Ipswich.

**********

Cameron is a hybrid of farm labourer and perpetual arts degree monkey. He enjoys slam poetry, page poetry and most garden varieties of spoken word. He likes long walks across arctic tundra and shouting at people in cafes. In his spare time he tries to think of the least original thought in the world.

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Koraly Dimitriades launches into SpeedPoets this Sunday October 7!

I mentioned recently that SpeedPoets was featuring two Melburnians this month… and I am pleased to announce that joining Peter Bakowski will be Koraly Dimitriades. Koraly is in Brisbane as part of a national tour, to launch the Deluxe Edition of her debut collection, Love & Fuck Poems.

Here’s a hit of Koraly’s work to get you primed for the gig:

SpeedPoets, Sunday October 7, 2:30pm – 5:00pm, Brew (Lower Burnett Lane, The City)

Wog Woman Writer (what it’s like)

On one side, the wogs:
I go to Mum’s house, proceed to proclaiming
my recent publication in a literary journal
to which she asks if I’ve vacuumed my house.
If I ask her if she’s heard me, she will respond with
details of how my divorce which took place
two years ago, ruined her life.

I leave the room but I love her.
She came on the boat
nowhere to go but marriage,
sometimes she didn’t even have food
in the village where she grew up.

On the other side, the publishing giants:
Submitting your manuscript to a publisher
Being praised for the story, well developed characters
Strong story arc, but that the manuscript lacks ‘literary merit.’
Scanning the list of contributor names to journals or
funding recipients for Arts Victoria and struggling
to find a surname that looks wog,
waiting for an incision in the Aussie literary voice
the bright light that might tear in the fabric

Blogging for a left-wing journal
finally feeling like you’re being recognised
that you’re writing is worth something
only to be sacked and amounting to nothing
but slave-labour words on a computer screen
replaced with big-shot Aussie Phd names
that you sound nothing like, and never will
(or sometimes you consider changing your voice)

explaining to Dad what happened
Dad, sitting me down comfortingly,
shaking his head and responding ‘Ithes?’ See?
‘Now I hope you think very hard
about returning to your job as a programmer.’

I lower my head

sending my ‘Wog’ YouTube video out to family,
telling them the situation, getting no response
except for one sister saying ‘I don’t do wog poems’
and asking me to take her off my email list,
loving her so much I feel her humiliation

Going to her house later in the week
where she plays me YouTube videos of
So Tiri, a Greek-American musician
rapping about feta and bread and Avgolemoni soup
who has millions of hits on his YouTube,
the sinking reality that most of my wog generation
prefer this, Wog Boy and My Big Fat Greek Wedding films
than stories revealing the shit layered under the cultural carpet
Most wogs haven’t even read Christos Tsiolkas
If they have it’s only because he made it
and therefore there must be merit, in what he has to say

Speaking my mind like a wog, my voice too raw
too confronting, too fused with emotion
I consider a Phd nightmare to flatten out my voice
but I’m stuck in single mum slum,
the odds against me because I have a cunt
and I have no trust, in the literary system, anymore

Sometimes I consider presenting myself
to the nearest publishing house,
palms pressed together as if in prayer
and asking if they please wouldn’t mind
stitching my hands shut so I can neither write nor type
(I will provide them with the needle and thread)

While the editor and publisher boil tea in preparation
I will continue to pray, for a miracle
When they return with their English china
and sympathetic faces, threading the needle
I will begin to tremble and cry
and they will comfort me

There, there, Koraly, we understand
We understand it’s been hard, it’s okay

The first stich will hurt the most, but to distract myself
I will confess to them every single rejection
as they stitch each pair of fingers together,
the hardships of having to subscribe to journals
to be considered for publication, running out of money
having less success with publication, the more confronting I get

There, there, Koraly, we understand
We’re almost done, just the pinky fingers left…

After I’m done confessing, I will recite poetry
until they’re finished and they can marvel
at my exotic verse as the blood drips from my hands
and onto the pages of their next publication

A book by Mr John Smith

**********

Koraly Dimitriadis is a Melbourne based Cypriot-Australian writer of poetry, short stories and novels. Her work has been published widely. She is a spoken word radio presenter and an Australian poetry café poet. The success of her zine, Love and Fuck Poems, available nationally and internationally, led her to publish Love and Fuck Poems: The Deluxe edition which she will be unveiling on the day as part of her national tour.

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Peter Bakowski live at the October SpeedPoets

SpeedPoets is proving to be a great stage for interstate and international travellers, and in October, we are fortunate to have two Melburnian’s heading our way. The first of our interstate guests, is award-winning poet, Peter Bakowski. Peter is will be on the road from September to December this year, so it is a real treat to have him feature at the October event.

So make sure that Sunday October 7 (2pm – 5:30pm at Brew) is inked into your diary, as seeing Peter up this way is an all too rare occasion!

Here’s a recent poem from Peter to brighten your screen!

A letter from Rebecca Cartello in Scarborough, England,
to her sister Carla in Longreach, Queensland, 15 December 1933

It’s winter here.
The trees stand stark.
The sky, bird-diminished,
is sullen with clouds.
I sold the last of my books
to buy nine tubes of paint.

What is seen, moves the blood,
I must honour on canvas.

When I cannot make a brushstroke or a colour
lift a painting,
I return to drawing
to remind my hand and eye
of curve, shape and shadow,
of what is present and suggested.

In life-drawing class
we’re sketching Alex,
an aspiring ballet dancer.
His body
crouches, leaps, spins,
both obeys and defies
Tchaikovsky’s Swan Lake
playing on the gramophone.

The date of my exhibition has been set,
the first of April.
I hope the exhibition will be a success,
that each painting finds its rightful owner,
those who realize that a painting
may also be a mirror.

Please send me a photograph of your Adam.
Tell me more about him,
how he
reads the soil and sky,
joins you in prayer
for a child
and rain.

I’m not one for marriage,
am most alive when painting portraits,
patient with each sitter,
listening to their conversations,
watching where their hands rest,
how they look about the room,
as who they are
rises towards the lure
of my paintbrush.

I’ll close for today,
work further on my portrait
of the local butcher.
Must render the look in his eyes
when he raises his gleaming cleaver.

**********

Melbourne-born poet, Peter Bakowski writes clear, accessible poems, uses ordinary words to say extraordinary things. His poems have appeared in literary magazines worldwide and have been translated into nine languages. Peter has been writer-in-residence in Italy, France, China, Western Australia, Tasmania and New South Wales.

He has self-organized and self-financed numerous poetry tours of Australia, some tours lasting three months, some tours covering 10,000 kilometres. Peter also gives poetry readings in private houses to groups of eight or more, anywhere in Australia or overseas.

His philosophy is to be alert to the world and to continue. For more information visit Peter’s blog.

**********

The October gig will also feature the regular delights of free zines, raffles, the guitar roar of Sheish Money and Brisbane’s hottest Open Mic Section. And let’s not forget that this is your last chance to take out one of the coveted Call-Back-Poet spots.

The Call Back Poet is selected by the monthly features and given the opportunity to perform a mini-feature to close the event (2 poems) as well as win the right to perform at the November gig and be in the running for cash prizes – $200 for the winner and $100 for the runner up – and the title SpeedPoets Open Mic Champion for 2012.

So bring your best to the mic!

SpeedPoets have been keeping poetry fast in Brisbane for more than a decade, so come along and take the ride!

Date: Sunday October 7
Location: Brew (Lower Burnett Lane, Brisbane City)
Time: 2pm – 5:30pm
Entry: Gold Coin Donation

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Trudie Murrell takes the mic at SpeedPoets in September

That’s right, SpeedPoets keeps the poetry coming in Brisbane this Saturday, September 1, when they bring the words to Brew (Lower Burnett Lane, Brisbane City) from 2pm.

Joining our interstate feature, Andrew Galan at the mic, will be local lass Trudie Murrell. If you have not had the pleasure of hearing her stretch out into a longer set, then you are in for something special…

Here’s a quick of hit of words to get you excited!

**********

Bridled  

All day
just at the length
of my ear’s reach
a horse has been calling me.

High distant whinnies
speak to the muscles
of my neck, the edge of my
nostrils, raise my chin to the breeze.

How did it find me here, in the suburbs?
Luring me out from the kitchen
to where late summer rain traces
my shoulder blades, pools
at my navel.

I hear hooves on the
bitumen, feel my blood
rise to answer.

Trudie Murrell is a child of the tropics who now lives in Brisbane. Since 1988 she has been writing poetry, plays and short stories.  She is also teacher, performer and a parent of three children.

Her poems have been published in The Green Fuse, Macmillan English 9 for the Australian Curriculum, Cordite, SpeedPoets zine and on Another Lost Shark.  She’s featured at Black Star’s Words or Whatever, Confit Bistro’s Back Room, Jam Jar and Fresh at the Library and she is a regular reader at Speed Poets open mic.

**********

And don’t forget to come prepared for the Open Mic… only two Call-Back-Poet spots remain, so make sure you bring your best!

Date: Saturday September 1
Location: Brew (Lower Burnett Lane, Brisbane City)
Time: 2pm – 5:30pm
Entry: Gold Coin Donation

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SpeedPoets Saturday September 1: Featuring Andrew Galan

After a spectacular weekend at QPF 2012, SpeedPoets keeps the poetry hit coming at Brew (Lower Burnett Lane, Brisbane City) from 2pm – 5:30pm. The month of September sees two two fine features take the stage; local lady, Trudie Murrell and interstate guest, Andrew Galan. So let’s check in with Andrew to find out a little more…

The upstairs food court writer in exile, Andrew Galan, has performed as part of the Corinbank, Canberra Fringe, This is Not Art, YouAreHere, and Australian National Folk festivals. His poetry has been included in The Best Australian Poems 2011, and published in the United Kingdom, the United States, New Zealand, and Australia. He performs with spoken word band The Tragic Troubadours, co-founded BAD!SLAM!NO!BISCUIT! with Hadley at The Phoenix Pub, and has a blog: Huitzilihuitl’s Reign of Death.

And here’s a hit of Andrew’s words:

The way we go

A comin’ home boys, ta’the land we use’ta’sleep in
hear it         that cartridge chorus shouldn’t be our canta’, rather
sound the Burger’s haven         with tight belt
for perfect hell    they’ve    we’ve    sent for
hollow points chip cinder, but don’t drop a tear
with small ships a’masonite
it’ll be a bucket’a'blood         for each tack from Tupperware
no tomorrow limes         I’m comin’ home
Frank Herbert’s blest         boys we’re comin’ home
so pack another lunch-box, nails brimmin’
primer for Fate, urea’ll light the night
fuse’ta’fit Foxtrot-Nine-One-Whiskey-One, this watch model’s sincere terror boys
hear the blade drum, they’re comin’         they’re comin’ for us.

Men, how many bullets can we fire?    hail to greet
a confessional         Frank Herbert’s blest
a ghastly crime         yell it men
tear these boys with lead         SWAT ‘em with cannonades
no fertiliser’s gunna save ‘em         see the roof lift
from blue jean ridden bum-bags         it’s the hour to answer,
never again         no repeat incarceration         zero time for games
not with guts intact, they’re not goin’ home, rather
right hands’ll stretch each face across a basketball for their families to ID
pop, you hear ‘em pop? To fat to escape instead they drop
ready then, let’s see how many end grinnin’         men we’re goin’ in.

No time boys    where are ya’Ballard?    for cars    for trucks
feel that in ya’guts    me guts    that’s the song ya’should be feelin’
not I, home, I’m still comin’ home         once from carillon temple city
through perfect hell         ta’sweet musk smilin’
shore, ya’saw it, descent’ta’burnin’ sands, ta’tangle bough with feet an’hands
that’s not the land i’m gunna rest in, feel those tears boys
Perkins, what the fuck are ya’doin’ here?
the jungle townhouse calls, it calls outside no Frank Herbert believer
i’m comin’ home         so tighten belts         we’re comin’ home
boys, pack another lunch-box, nails brimmin’
primer for Fate, urea’ll light the night
fuse’ta’fit Foxtrot-Nine-One-Whiskey-One; that watch model’s sincere terror
boys they’re comin’ in, hear timber’ta’metal, contact boys, they’re comin’ in.

Men, smash the lock         to sugar grove shore
they’re not goin’    you look lost boy, school’s that way    we’ll see spray
where head kisses ceilin’         no flash’n'bang
where palms splay metres         no grapple to save, save to hollow clip
where sandal stumps stick to floor         seven times men         in the face
no Frank Herbert believer, inside no martyrdom soldier, instead
each’s a tear in another mum’s eye as we swab her gums to confirm his demise
so cock your hammers         ground your lines         with rubber face
men, we’re goin’ in         these boys’ll be chockas with lead
pop, you hear ‘em pop? To fat to escape instead they drop
so crash the door, totem green’n'red hand men, we’re goin’ in.

For land to rest in
doesn’t matter how many cells are thrown away
agony, theirs, not ours
for the brew of skin between wood’n'tin
agony from the guts that end us
still each warms without prints’ta’press      ta’paradise
a comin’ home men, this is the way to go to war
a comin’ home boys, this is the way’ta go’ta war
Frank Herbert’s blest
this is the way      we go.

**********

The September gig will also feature the regular delights of free zines, raffles, the guitar roar of Sheish Money and Brisbane’s hottest Open Mic Section. And let’s not forget that all poets in the Open Mic are in contention to be named Call Back Poet of the month!

The Call Back Poet is selected by the monthly features and given the opportunity to perform a mini-feature to close the event (2 poems) as well as win the right to perform at the November gig and be in the running for cash prizes and the title SpeedPoets Open Mic Champion for 2012.

There are now only two Call-Back-Poet spots to be decided, so bring your best to the mic!

SpeedPoets have been keeping poetry fast in Brisbane for more than a decade, so come along and take the ride!

Date: Saturday September 1
Location: Brew (Lower Burnett Lane, Brisbane City)
Time: 2pm – 5:30pm
Entry: Gold Coin Donation

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SpeedPoets Saturday August 4: feat. 2012 Arts QLD Poet-in-Residence, a.rawlings

SpeedPoets brings the words to Brew (Lower Burnett Lane, Brisbane City) from 2pm – 5:30pm this Saturday, August 4. The month of August hosts the debut Brisbane feature set from 2012 Arts QLD Poet-in-Residence, a.rawlings, who is fresh back from exploring the north and west of this gargantuan state of ours. Over the course of her two week regional tour, a.rawlings has been collecting sounds and images for her Sound Poetry and Visual Poetry project. This will launch at A Million Bright Things on Saturday night at QLD Poetry Festival (August 25), so we may just be lucky enough to get a preview of some new work!

Here’s a.rawlings performing work from her debut collection, Wide Slumber for Lepidopterists:

The August gig will also feature the regular delights of free zines, raffles, the guitar roar of Sheish Money and Brisbane’s hottest Open Mic Section. And let’s not forget that all poets in the Open Mic are in contention to be named Call Back Poet of the month!

The Call Back Poet is selected by the monthly features and given the opportunity to perform a mini-feature to close the event (2 poems) as well as win the right to perform at the last gig of 2012 in November and be in the running for cash prizes and the title SpeedPoets Open Mic Champion. There are only three spots left in the November showcase, so make sure you come ready to make the mic melt!

SpeedPoets, this Saturday… be there! We’ve been keeping poetry fast in Brisbane for more than a decade!

Date: Saturday August 4
Location: Brew (Lower Burnett Lane, Brisbane City)
Time: 2pm – 5:30pm
Entry: Gold Coin Donation

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SpeedPoets: Saturday July 7 feat. Clinton Toghill & The Outlandish Watch

SpeedPoets keeps the poetry coming at Brew (Lower Burnett Lane, Brisbane City) from 2pm – 5:30pm. The month of July features the re-launch of Pascalle Burton’s reversible poetry project on 45rpm vinyl, The Outlandish Watch in collaboration with David Stavanger and Nathan Shepherdson.

The July gig will also feature the debut feature reading from Brisbane poet and songwriter, Clinton Toghill from The Bell Divers as well as serving up the regular delights of free zines, raffles, the guitar roar of Sheish Money & Giselle Sheehy and Brisbane’s hottest Open Mic Section. And let’s not forget that all poets in the Open Mic are in contention to be named Call Back Poet of the month!

Clinton Toghill

The Call Back Poet is selected by the monthly features and given the opportunity to perform a mini-feature to close the event (2 poems) as well as win the right to perform at the last gig of 2012 and be in the running for cash prizes and the title SpeedPoets Open Mic Champion for 2012.

June Call Back Poet was Michael Cohen for his mesmerising poem that paid homage to Wallace Stevens and the humble sausage roll.

So come along and take in the SpeedPoets experience… we’ve been keeping poetry fast in Brisbane for more than a decade!

Date: Saturday July 7
Location: Brew (Lower Burnett Lane, Brisbane City)
Time: 2pm – 5:30pm
Entry: Gold Coin Donation

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Alan Jefferies Launches Seem this Saturday

2012 is shaping up to be a great year for new poetry books in Brisbane and SpeedPoets is the place where many of them are making their way into the world! This Saturday at SpeedPoets, we are thrilled to launch Alan Jefferies new bilingual collection Seem.

Alan Jefferies was born in Brisbane and grew up in Cleveland. He lived in Sydney and Coalcliff throughout much of the 1980′s and 90′s and completed degrees in Communication and Writing.

In 1998 he moved to Hong Kong where he co-founded OutLoud, Hong Kong’s longest running spoken-word event. He has published five books of poetry.  His latest book Seem, is a bilingual edition ( Chinese translation by Iris Fan Xing), published by ASM in Macao, China.

Here’s a poem from the collection and a link to a review:

Reading

as the poet finished reading
her penultimate poem
the guy in the front row
leant forward &
thud
hit his head
with cupped hand
like he didn’t want that  particular
idea to take root in there

then pop
he was back, upright
(like a buoy rights itself, by itself)
after being knocked askance
by the silky wake of a passing ocean liner.

*****

Seem launches this Saturday June 2 at SpeedPoets alongside a premiere reading by Julie Beveridge from her forthcoming book, home{sic}.

Date: Saturday June 2
Location: Brew (Lower Burnett Lane, Brisbane City)
Time: 2pm – 5:30pm
Entry: Gold Coin Donation

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SpeedPoets June Gig

SpeedPoets continues to serve up its monthly poetry feast at Brew (Lower Burnett Lane, Brisbane City) from 2pm – 5:30pm this coming Saturday. In the month of June, SpeedPoets features a premiere reading by Julie Beveridge from her forthcoming collection, home{sic} and the Brisbane launch of Alan Jefferies new book, a bilingual publication (English/Chinese) titled, Seem.

The June gig will also deliver the regular delights of free zines, raffles, the guitar roar of Sheish Money and Brisbane’s hottest Open Mic Section. And remember… don’t just bring one poem, you never know, you may be named Call Back Poet for the month!

The Call Back Poet is selected by the monthly features and given the opportunity to perform a mini-feature to close the event (2-3 poems) as well as win the right to perform at the last gig of 2012 and be in the running for cash prizes and the title SpeedPoets Open Mic Champion for 2012.

Call Back Poets for the year to date are Jo Brooks, Carmen Leigh Keates and Marisa Allen.

So come along and enjoy the SpeedPoets experience… we’ve been keeping poetry fast in Brisbane for more than a decade!

Date: Saturday June 2
Location: Brew (Lower Burnett Lane, Brisbane City)
Time: 2pm – 5:30pm
Entry: Gold Coin Donation

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The night before SpeedPoets…

That’s right poets of Brisbane, get on down to Brew tomorrow as there is a mic hungry for your words and two mighty fine feature poets waiting to pour their words in your ears!

One of those poets is Rowan Donovan… and tonight, he is restless with excitement. Here’s what he had to say when I asked him what he was most looking forward to about the gig tomorrow.

RD: What am I most looking forward to about this upcoming event?

You mean after my chauffeured train trip down? The excitement of discovering my way to a new venue? The smell of roasted coffee beans? The rare chance to meet up with friends and poets who, for a serial recluse like me, are all part of my extended family? Not to mention the joy of sharing the bill with Nathan Shepherdson. Or the fact I haven’t read at SpeedPoets now for some three years and hell, after all, I am the oldest surviving original SpeedP!? And what about the show pony in me that’s just a repressed exhibitionist? Hey?! Gotta factor that one in. Course I am hoping that there will be lots of new faces there as well so I can recite some of my golden oldie standards without boring the poetical pants off people and maybe even slip a couple of new rants in just to mix it up a bit and break the mold of being typecast as Barry Manilow meets James Blunt! But all that aside, really, just the privilege of briefly being in that special moment on stage when there is only you, your words and the audience.

Osu.

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